Tag: 2020
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The Last State or the Penultimate
Neil MajeskiThe Last State or the Penultimate2019–2021 4.5 × 7 in. closedVaried page countsSaddle-stitched softcover pamphletsInkjet and laser Depictions of a Developing LampshadeThe Chiliagon Locket: A Mental Exercise from My ChildhoodThe Perverse DoiliesCurious Details in PostcardsMusic of the Uncanny Soundscapes To review Neil Majeski’s The Last State or the Penultimate, a series of five interrelated…
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Ballroom Etiquette
Ballroom EtiquetteMaria Brito and Bruno NeivaDesigned with Lisa LorenzTeam Trident Press2020 4 × 5 in. closed48 pagesSaddle-stitched pamphletRisograph inside with thermography-finished coverEdition of 150 A collaboration between Maria Brito and Bruno Neiva, Ballroom Etiquette is a slim, pocket-sized pamphlet, but it distills two books — True Politeness: A Hand-book of Etiquette for Ladies (1867) and…
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Asemic Walks: 50 Templates for Pataphysical Inspections
Asemic Walks: 50 Templates for Pataphysical InspectionsHartmut AbendscheinTimglaset Editions2020 8.25 × 6 in. closed108 pagesPerfect-bound softcoverLaser printing If the title of Asemic Walks: 50 Templates for Pataphysical Inspections seems somewhat opaque, the book itself is transparent – literally. Fifty sheets of translucent drafting vellum, each with a printed route, are bound between a few solid…
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Terra Nullius
Terra NulliusChristopher Kardambikis2020 7.5 × 10.25 in. closed50 pagesBinding: Plastic strip fastenerRisograph I try not to talk about William Blake. I love his work, but I find his outsized role in the genealogy of artists’ books to be of little use for contemporary criticism. So, when I opened Terra Nullius by Christopher Kardambikis, I shuddered.…
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Convalescence
ConvalescenceGrant EvansAdversary Editions2020 6 × 9 in. closed110 pagesPerfect-bound softcoverDigital offset Convalescence is the first book by musician and visual artist, Grant Evans. It is far from the only artists’ book about grief, yet it stands out as particularly dark and gritty. Not only because it grapples with addiction and murder, but because Evans metaphorizes…
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Copy, Tweak, Paste: Methods of Appropriation in Re-enacted Artists’ Books
Copy, Tweak, Paste: Methods of Appropriation in Re-enacted Artists’ BooksRob van Leijsen2020 Éditions clinamen5.5 × 7.875 in. closed223 pagesPerfect-bound paperbackOffset printing Plenty of artists’ book practitioners and scholars have a background in graphic design, but for Rob van Leijsen graphic design is not merely an entry point into artists’ books; it is a place to…
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Oriental Silk
Oriental SilkXiaowen ZhuDesign by Michael Mason, CHEVAL2020Hatje Cantz 7 × 9.5 in. closed196 pagesSmyth-sewn, clothbound hardcoverOffset inside with screenprinted cover Oriental Silk is a Los Angeles import and retail company, a film, and an ever-evolving installation project by self-described “visual poet and aesthetic researcher” Xiaowen Zhu. The book Oriental Silk is a bit of each…
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Inscription, Issue 1: Beginnings
Inscription, Issue 1: BeginningsEdited by Gill Partington, Adam Smyth, Simon MorrisInformation as Material2020 Inscription journal: 12 × 12 in. offset-printed perfect-bound codex, 134 pagesSean Ashton, Living In A Land: 12 in. vinyl LPCraig Dworkin, Clock: 6.625 × 6.625 in. offset-printed, saddle-stitched pamphlet in a slipcase, 12 pagesJérémie Bennequin, An Erasure into the Maelström: 36 ×…
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The Marathon Poet
The Marathon PoetÅke HodellTranslated by Fia BackströmEdited by Kira Josefsson2020 Ugly Duckling Presse5.25 × 8.25 in. closed150 pagesPerfect bindingOffset Åke Hodell (1919–2000) was many things: poet, pacifist, anarchist, visual artist, composer, razor-sharp satirist, and one-time fighter pilot. In The Marathon Poet (Maratonpoeten in the original Swedish), first published in 1981 and newly translated into English…
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couplets and questions
Review by Eric Morris-Pusey couplets and questionsAndrew ShawThe Silent Academy couplets20195 × 5 in. closed78 pagesSoft-cover perfect bindingHP Indigo questions5 × 5 in. closed202058 pagesSoft-cover perfect bindingHP Indigo “Imagination,” author John Higgs begins his foreword to Andrew Shaw’s couplets, “isn’t what it used to be.” The statement was true enough when he first put it…
Artists’ Book Reviews 